File:Jasper Johns's 'Flag', Encaustic, oil and collage on fabric mounted on plywood,1954-55.jpg

Summary

Jasper Johns's 'Flag', Encaustic, oil and collage on fabric mounted on plywood, 42 x 61 in., Museum of Modern Art, New York, 1954-55. Art (C) Jasper Johns/Licensed by VAGA, New York, NY

Licensing

Fair use rationale in Jasper Johns:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the subject, or the work of the subject, of the article(s).
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale in Pop art:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the subject, or the work of the subject, of the article(s).
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale in Late modernism:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the subject, or the work of the subject, of the article(s).
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale in History of painting:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the subject, or the work of the subject, of the article(s).
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair use rationale in Western painting:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article(s) adds significantly to the article(s) because it shows the subject, or the work of the subject, of the article(s).
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair Use Rationale in 20th-century Western painting:

1. The image is low resolution and unsuitable for commercial purposes.
2. It is representative of the work of Jasper Johns, a subject of the article.
3. Its use enhances the reader's understanding of the topic.
4. No free-use equivalent is available or can be made.

Fair use rationale in 1955 in art:

1. This is a historically significant work that could not be conveyed in words.
2. Inclusion is for information, education and analysis only.
3. Its inclusion in the article adds significantly to the article because it shows a significant subject of the article.
4. The image is a low resolution copy of the original work and would be unlikely to impact sales of prints or be usable as a desktop backdrop.

Fair Use Rationale in Flag (painting):

1. The image is low resolution and unsuitable for commercial purposes.
2. Its inclusion in the article adds significantly to the article because it shows the subject of the article
3. Its use enhances the reader's understanding of the topic.
4. No free-use equivalent is available or can be made.

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