Norbert Müller-Everling
| Norbert Müller-Everling | |
|---|---|
| Born | 27 March 1953 Bensheim, Germany |
| Known for | Sculptor |
Norbert Müller-Everling (born 27 March 1953) is a contemporary German artist working with concrete art.
Contents
Time Line
| Year | |
|---|---|
| 1953 | Born in Bensheim (Hesse, Germany), raised in Wattenscheid (North Rhine-Westphalia)[1] |
| 1973–79 | Studied at the Academy of Fine Arts, Düsseldorf, with Erwin Heerich[1] |
| 1979–82 | Studied philosophy at the RWTH Aachen University[1] |
| 1982–86 | Worked at freelanced artist[1] |
| 1987–92 | Worked in the center of arts Wachsfabrik in Cologne[1] |
| 1986–90 | Cooperated with jazz musician Markus Stockhausen (Performance Lila)[1] |
| 1993–98 | Worked at freelanced artist[1] |
| 1996–present | Instructor of arts in Altenkirchen, Rhineland-Palatinate[1] |
Style
Norbert Müller-Everling is an artist characterised by his unique philosophy and usage of colour in his work. 1973–79 he was studying at the Kunstakademie Düsseldorf as a student of Erwin Heerich, afterwards philosophy in Aachen. He began developing his own style in the early 1980s. His work of that time is characterised to create forms which follow the tradition of concrete art, as Max Bill and others founded it.[2] He sought to create objects so that the new science of form could be experienced by the senses. A prime example of his sculptural work is his Percent for Art work for the Bundesverteidigungsministerium Bonn, (1997).[3] His later works are characterised by using colour sparingly in objects in material form of coloured paraffin. He developed his own style of having light be the medium of the work itself. It allows his work to be independent of connections to any kind of representation.[1]
List of Special Works
- 1989 – Goethe-Institut Lima
- 1992 – Logarithmische Wassertreppe, Sozialgericht Cologne
- 1994 – Clemens-Hastricht-Platz, Cologne-Bickendorf
- 1994 – Suermondt-Ludwig-Museum Aachen
- 1997 – Bundesverteidigungsministerium Bonn
Exhibitions (selected)
- 1991 – Aine Art Museum Tornio in Finnland
- 1994 – art multiple Düsseldorf
- 2000 – Stadtmuseum Siegburg
- 2008 – kunst & kommunikation Bochum
Bibliography
- Die krumme Wahrheit des Raumes – Ausstellungskatalog Kunstbüroberlin, Bremen, Hachmannedition, 2007
- Europa Konkret Reduktiv – Ausstellungskatalog Museum Modern Art Hünfeld, 2002, Hrsg. Jürgen Blum
- Übersicht – Westdeutscher Künstlerbund – Katalog zur Ausstellung im Museum Bochum, 2002
- Logik + Poesie – Dokumentation zu einem Kolloquium im Forum Konkrete Kunst Erfurt, 2001
- Im Studium bei Erwin Heerich 1961–1987 – Buchhandlung Walther König, Köln, 2000
- Norbert Müller- Everling, Diaphainon – Ausstellungskatalog, Hrsg. Gert Fischer, darin: Pohlmann, Andreas: Diaphainon – Zu den Wandarbeiten aus Wachs von Norbert Müller-Everling – Katalog Stadtmuseum Siegburg 2000
- Kunst und Bau NRW – Ministerium f. Bauen und Wohnen, Düsseldorf, 1998
- Johannes Peter Hölzinger: “Synthese des Arts” – Die Verbindung von Kunst u. Architektur bei den Regierungsbauten auf der Hardthöhe in Bonn. Edition Axel Menges, Stuttgart/London, 1998, ISBN 3-932565-09-6
- Ingeborg Flagge (Hrsg.): Eine Architektur für die Sinne: Busmann & Haberer. Verlag Ernst & Sohn, 1996, ISBN 3-433-02658-0
- Norbert Müller- Everling: Ausstellungskatalog, Galerie am Tiergarten, Hannover, 1993
References
- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 Norbert Müller-Everling, Diaphainon – Ausstellungskatalog, Hrsg. Gert Fischer, darin: Pohlmann, Andreas: Diaphainon – Zu den Wandarbeiten aus Wachs von Norbert Müller-Everling – Katalog Stadtmuseum Siegburg 2000.
- ↑ Norbert Müller- Everling: Ausstellungskatalog, Galerie am Tiergarten, Hannover, 1993
- ↑ Johannes Peter Hölzinger: “Synthese des Arts” – Die Verbindung von Kunst u. Architektur bei den Regierungsbauten auf der Hardthöhe in Bonn. Edition Axel Menges, Stuttgart/London, 1998, ISBN 3-932565-09-6
External links
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