Portal:Gilbert and Sullivan

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Ages Ago

Ages Ago, during the rehearsals for which Frederic Clay introduced Gilbert to Sullivan.

Gilbert and Sullivan refers to the Victorian era partnership of librettist W. S. Gilbert (1836–1911) and composer Arthur Sullivan (1842–1900). Together, they wrote fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance, and The Mikado are among the best known. Gilbert, who wrote the words, created fanciful "topsy-turvy" worlds for these operas, where each absurdity is taken to its logical conclusion—fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates turn out to be noblemen who have gone wrong. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos. Producer Richard D'Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy Theatre in 1881 to present their joint works—which came to be known as the Savoy Operas—and he founded the D'Oyly Carte Opera Company, which performed and promoted their works for over a century. The Gilbert and Sullivan operas have enjoyed broad and enduring international success and are still performed frequently throughout the English-speaking world. The collaboration introduced innovations in content and form that directly influenced the development of musical theatre through the 20th century. The operas have also influenced political discourse, literature, film and television and have been widely parodied and pastiched by humorists.

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The Mikado
The Mikado or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on March 14, 1885, in London, where it ran at the Savoy Theatre for 672 performances, which was the second longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. Before the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera. The Mikado remains the most frequently performed Savoy Opera, and it is especially popular with amateur and school productions. The work has been translated into numerous languages and is one of the most frequently played musical theatre pieces in history. Setting the opera in Japan, an exotic locale far away from Britain, allowed Gilbert to satirize British politics and institutions more freely by disguising them as Japanese. Gilbert used foreign or fictional locales in several operas, including The Mikado, Princess Ida, The Gondoliers, Utopia, Limited and The Grand Duke, to soften the impact of his pointed satire of British institutions.

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Credit: D'Oyly Carte Opera Company (1919)

The Mikado, or The Town of Titipu, is a comic opera in two acts, their ninth of fourteen operatic collaborations. It opened on March 14, 1885, in London, where it ran at the Savoy Theatre for 672 performances, which was the second longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time.

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Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found. Kenneth Sandford (28 June 1924 – 19 September 2004) was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas of Gilbert and Sullivan. After service the Royal Air Force during World War II, Sandford turned away from a career in art and studied singing. He performed in musical theatre in the West End and on tour between 1950 and 1956, including 800 performances starring in a revue called Jokers Wild with The Crazy Gang. He also began a concert career. In 1957, he was engaged by the D'Oyly Carte Opera Company and immediately began to perform eight principal roles in repertory, including Pooh-Bah in The Mikado. He remained with the company for 25 years until it closed, also making about twenty recordings with the company, and several recordings for Readers' Digest and others. In later years, Sandford continued to tour in and direct Gilbert and Sullivan productions, often with his former D'Oyly Carte colleague Roberta Morrell. After The International Gilbert and Sullivan Festival was established in 1994, he often performed and lectured for the festival's audiences and held master classes for its performers.

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I had to make my first entrance in a gondola, with my back to the audience; and when I turned round to get out of it and faced the house my feelings were such that I shall never forget. I had only been to about three theatres in my life, and, of course, had never seen an audience in evening dress from the stage. When I did see that audience... I felt a "catch" in the chest as if I had fallen into an ice-cold bath and it had taken away all my breath. I stuck my finger nails into my palms and said, "This won't do!" and walked down the stage, trying to remember all I had been told to do and not to do. I got through the evening in a kind of dream, wept all the way home in the hansom, convinced I had been a failure.

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Gilbert and Sullivan
Gilbert and Sullivan topics

The Triumvirate: W. S. GilbertArthur SullivanRichard D'Oyly Carte

The Gilbert and Sullivan Operas: ThespisTrial by JuryThe SorcererH.M.S. PinaforeThe Pirates of PenzancePatienceIolanthePrincess IdaThe MikadoRuddigoreThe Yeomen of the GuardThe GondoliersUtopia, LimitedThe Grand Duke

Other Works, People and Related Matters: Other Works by W. S. GilbertOther Operas by Arthur SullivanOther Music by Arthur SullivanSavoy operaPeople associated with Gilbert and SullivanGilbert and Sullivan performersD'Oyly Carte Opera CompanyHelen CarteRupert D'Oyly CarteBridget D'Oyly CarteCultural influence of Gilbert and SullivanInternational Gilbert and Sullivan Festival

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