Off White
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Off White | ||||
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Studio album by James White and the Blacks | ||||
Released | 1979 | |||
Recorded | September–December 1978 | |||
Genre | No wave, jazz, punk, post-disco | |||
Length | 42:06 | |||
Label | ZE | |||
Producer | James Chance | |||
James White and the Blacks chronology | ||||
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Off White is a 1979 album by American no wave band James White and the Blacks.
Contents
History
In late 1978, ZE Records co-founder Michael Zilkha approached James Chance and offered Chance $10,000 to record a disco album.[1] Zilkha gave little direction and asked the band for its own take on the genre.[2] Anya Phillips, Chance's manager and girlfriend, came up with the idea to rename James Chance and the Contortions to James White and the Blacks for the album.[1] An alternate name, James White and His Blacks, was rejected by Zilkha. Phillips and the band put together outfits resembling 1960s soul singers.[3]
Chance said that he was interested in the monotonous sound of disco music because it "doesn't have beginnings and ends".[4] His persona is an homage to soul musician James Brown.[5] Chance was also intrigued by the shock value of a punk group embracing disco.[6] He received disco records for free and passed time listening to a record for several seconds before throwing it out a window.[7] Chance wrote a piece for the first issue of East Village Eye, praising disco and denouncing "outdated, cornball 'new/no wave' drivel".[6][8]
Off White includes contributions from Lydia Lunch, Robert Quine, and Vivienne Dick.[9] The band spend most of its budget recording the album's first side and used instrumentals for the second side.[10] The album often discusses racial issues, and most of its titles are references to race.[11] Some responded to the Off White with accusations of racism.[12] Chance later responded, "I was the one that brought black music onto the whole punk scene, and I took a lot of shit for it…I was just playing with my whole image of a white person doing black music."[13]
James White and the Blacks promoted the album with a February 1979 performance at Club 57 in the East Village, Manhattan.[12] ZE rented Irving Plaza for the album's launch party, where the band lip synced its songs. The band's live performances included two teenage dancers called the Disco Lolitas.[3]
The band released "Contort Yourself" as a 12" vinyl single.[9] The song originally appeared on Buy, and the group re-recorded it with a disco beat. Chance observed that the tempo was too fast to be played in discos, so ZE labelmate August Darnell created a remix of it. Darnell used a slower tempo and wrote a new guitar part.[14] James White and the Blacks' version of "Contort Yourself" was later included in ZE's 1981 Mutant Disco compilation,[15] its 2003 NY No Wave compilation,[16] Strut Records' 2008 Disco Not Disco 3,[17] and ZE's 2009 compilation for its 30th anniversary.[18]
Critical reception
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | B-[20] |
Upon the album's release, Billboard magazine said that it "commands attention" and described the music as "savage, uncompromising, sometimes dissonant, but always interesting".[5] Robert Christgau described it as "pretty good to dance to" but added that "like so much disco music it gets tedious over a whole side."[20] AllMusic characterized Off White as "an acquired taste" containing "some of the most challenging, intriguing music to emerge from the post-punk era."[19] The Guardian included Off White in its list of "1000 albums to hear before you die".[21]
Track listing
All songs written and composed by James White unless otherwise noted.
Side One | |||
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No. | Title | Writer(s) | Length |
1. | "Contort Yourself" (produced by August Darnell) | 6:15 | |
2. | "Stained Sheets" | Chance, Lydia Lunch | 5:51 |
3. | "(Tropical) Heat Wave" | Irving Berlin | 3:55 |
4. | "Almost Black, pt. 1" | Chance, Kristian Hoffman | 3:17 |
Side Two | |||
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No. | Title | Writer(s) | Length |
1. | "White Savages" | Chance, Hoffman | 4:52 |
2. | "Off Black" | 6:29 | |
3. | "Almost Black, pt. 2" | Chance, Hoffman | 3:59 |
4. | "White Devil" | 4:36 | |
5. | "Bleached Black" | 2:52 |
Personnel
- James White – alto saxophone, organ, vocals
- Jody Harris – guitar
- Pat Place – slide guitar
- George Scott III – bass
- Don Christensen – drums
Additional personnel
- Robert Quine – guitar on 6, 7
- Vivienne Dick– viola on 8
- Paul Colin – tenor saxophone on 4, 7
- Kristian Hoffman – piano 2, 3, vocals on 3
- Adele Bertei – piano on 1, vocals on 4
- Ray Mantilla – congas on 3
- Lydia Lunch – guitar on 8, vocals (as Stella Rico) on 2
- Anya Phillips – vocals on 3, 4
Notes
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External links
- ↑ 1.0 1.1 Masters 92.
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- ↑ 3.0 3.1 Reynolds 155.
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- ↑ 6.0 6.1 Reynolds 154.
- ↑ Moore and Coley 95.
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- ↑ 9.0 9.1 Masters 93.
- ↑ Moore and Coley 98.
- ↑ Young 40.
- ↑ 12.0 12.1 Masters 94.
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- ↑ 19.0 19.1 Valdivia, Victor W. Off White at AllMusic. Retrieved January 30, 2012.
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