Perfect Blue

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For the television series, see Perfect Blue (TV series).
Perfect Blue
250px
Poster
Directed by Satoshi Kon
Produced by Hiroaki Inoue
Screenplay by Sadayuki Murai
Based on Perfect Blue: Complete Metamorphosis
by Yoshikazu Takeuchi
Starring Junko Iwao
Rica Matsumoto
Shinpachi Tsuji
Masaaki Ōkura
Music by Masahiro Ikumi
Cinematography Hisao Shirai
Edited by Harutoshi Ogata
Production
company
Distributed by Rex Entertainment
Release dates
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  • July 1997 (1997-07) (Fantasia Festival)
  • February 28, 1998 (1998-02-28) (Japan)
Running time
 81 minutes
Country Japan
Language Japanese
Budget $3.5 million

Perfect Blue (パーフェクトブルー Pāfekuto Burū?) is a 1997 Japanese animated psychological thriller-horror film directed by Satoshi Kon and written by Sadayuki Murai, based on the novel Perfect Blue: Complete Metamorphosis (パーフェクト・ブルー　完全変態 Pāfekuto Burū: Kanzen Hentai?) by Yoshikazu Takeuchi. The film follows Mima Kirigoe, who becomes a victim of stalking after she decides to leave a Japanese pop idol group.

Plot

Mima Kirigoe, the lead singer of the fictional J-pop idol group "CHAM!", decides to leave the group to become an actress, believing that the idol group life is a dead end job. Her first project is a crime drama series, Double Bind. Some of her fans are upset by her change in career, including a stalker known as "Me-Mania". Shortly after leaving CHAM!, Mima receives an anonymous fax calling her a traitor. She also finds a website called "Mima's Room", which features public diary entries that seem to be written by her that discuss her life in great detail. She brings the site to the attention of her manager, ex-pop star Rumi Hidaka, but is advised to ignore it.

On the set of Double Bind, Mima succeeds in getting a larger part. However, the producers decide to cast her as a rape victim in a strip club. Rumi warns Mima that it will damage her reputation, but Mima accepts the part. The scene traumatizes Mima (as well as Rumi, who leaves the production control room crying), and she increasingly becomes unable to distinguish reality from her work in show business.

Several people involved in creating Double Bind, including the show's writer and photographer, are found murdered. Mima finds evidence that makes her a suspect in those murders, based on entries on the Mima's Room website, and her increasing mental instability makes her doubt her own innocence. Meanwhile, Me-Mania is constantly shown standing amongst the Double Bind filming crew, and his obsessive home life is revealed when he is shown receiving emails from Mima's pop idol persona through the Mima's Room website. It is at this point that reality starts breaking down for the viewer as well: in one scene, Mima is revealed, by a police psychiatrist, to be the split personality delusion of a woman named Yoko Takakura, only for the Double Bind camera crew to yell "Cut"; in another, Me-Mania finally confronts and attempts to rape Mima, stopped only when Mima knocks him unconscious with a hammer; this too is revealed as a Double Bind film shoot. Rumi finds Mima backstage immediately afterward, and Me-Mania's blood and body are not found on the now-empty set.

Rumi offers to drive Mima home. Upon arriving, Mima Mima tries to call Mr. Tadokoro but he has also been murdered, along with Me-Mania. Mima drops the call upon realizing that she is actually in a completely different apartment, in a room decorated to resemble her own pop idol apartment at the beginning of the film. When Mima encounters Rumi, however, her manager is wearing a replica of Mima's CHAM! costume and fully believing, in a schizophrenic break, that she is Mima herself. Rumi is in fact the false diarist of Mima's Room, who believes she is the "real Mima". Rumi is angry that Mima—who has been suffering from folie à deux throughout the film—has been ruining the "real Mima's" reputation, and decides to save "Mima's" pristine pop idol image through the same means she has been using all along: murder. Mima manages to incapacitate Rumi in self-defense after a chase through the city despite being wounded herself, then saves Rumi from an oncoming truck, whose headlight she mistakes for stage lights. Both parties collapse as the truck's occupants call for an ambulance.

Mima, now an accomplished actress, shows up at an insane asylum to visit Rumi, who only exhibits her Rumi personality briefly. As Mima leaves, she overhears the nursing staff believing that she is a Mima imposter, as she would have no reason to visit an institution. Mima enters her car and, looking into the rear view mirror, declares "I'm the real thing" and smiles.

Voice cast

Character Japanese English[1]
Mima Kirigoe Junko Iwao Ruby Marlowe[2]
Rumi Rica Matsumoto Wendee Lee[3]
Tadokoro Shinpachi Tsuji Gil Starberry
Me-Mania Masaaki Ōkura Bob Marx[4]
Tejima Yōsuke Akimoto Steve Bulen
Takao Shibuya Yoku Shioya Jimmy Theodore
Sakuragi Hideyuki Hori Sparky Thornton[5]
Eri Ochiai Emi Shinohara Lia Sargent
Mureno Masashi Ebara Jamieson Price
Director Kiyoyuki Yanada Richard Plantagenet
Yatazaki Tōru Furusawa –
Yukiko Emiko Furukawa Bambi Darro
Rei Shiho Niiyama Melissa Williamson
Tadashi Doi Akio Suyama –
Cham Manager – Dylan Tully

The actors in the English adaptation are listed in the credits without specification to their respective roles: James Lyon, Frank Buck, David Lucas, Elliot Reynolds, Kermit Beachwood, Sam Strong, Carol Stanzione, Ty Webb, Billy Regan, Dari Mackenzie, George C. Cole, Syd Fontana, Sven Nosgard, Bob Marx, Devon Michaels, Robert Wicks and Mattie Rando.[6]

Production

Originally the film was supposed to be a live action direct to video series, but after the Kobe earthquake of 1995 damaged the production studio, the budget for the film was reduced to an original video animation. Katsuhiro Otomo was credited as "Special Supervisor" to help the film sell abroad and as a result the film was screened in many film festivals around the world. While touring the world it received a fair amount of acclaim, jump-starting Kon's career as a filmmaker.[7]

Kon and Murai did not think that the original novel would make a good film and asked if they could change the contents. This change was approved so long as they kept a few of the original concepts from the novel. A live action film Perfect Blue: Yume Nara Samete was later made (released in 2002) that is much closer to the novel. This version was directed by Toshiki Satō from a screenplay by Shinji Imaoka and Masahiro Kobayashi.[8]

Like much of Kon's later work, such as Paprika, the film deals with the blurring of the lines between fantasy and reality in contemporary Japan.[9]

Release and broadcast

Perfect Blue was released in the United States by Manga Entertainment on VHS in 1999 on both a R rated version and its original unrated uncut version. It was later released in 2000 in an unrated-only DVD release. The movie was also released on UMD by Anchor Bay Entertainment on December 6, 2005.[10] It featured the movie in cinema widescreen, leaving the movie kept within black bars on the PSP's 16:9 screen. This release also contains no special features and only the English audio track.

In the US, Perfect Blue aired on the Encore cable television network and was featured by the Sci Fi Channel on December 10, 2007 as part of its Ani-Monday block. In Australia, Perfect Blue aired by the SBS Television Network on April 12, 2008 and previously sometime in mid 2007 in a similar timeslot.

Analysis

Susan Napier's uses feminist film theory to analyze the film, stating that, "Perfect Blue announces its preoccupation with perception, identity and performance - especially in relation to the female - right from its opening sequence. The perception of reality cannot be trusted, with the visual set up only to not be reality, especially as the psychodrama heights towards the climax."[7] Napier also sees themes related to pop idols and their performances as impacting the gaze and the issue of their roles. Mima's madness results from her own subjectivity and attacks on her identity. The ties to Alfred Hitchcock's work is broken with the murder of her male controllers.[7] Otaku described the film as "critique of the consumer society of contemporary Japan."[7][Note 1]

Reception

The film was critically well received in the festival circuit, winning awards at the 1997 Fantasia Festival in Montréal, and Fantasporto Film Festival in Portugal.

Critical response in the United States upon its theatrical release was mixed.[11] The film holds a 67% approval rating on Rotten Tomatoes.[12] Some critics associated it with common anime stereotypes of gratuitous sex and violence. Kon responded to this criticism by stating that he was proud to be an animator and Perfect Blue was more interesting as animation.[7]

Time included the film on its top 5 anime DVD list,[13] and Terry Gilliam, of whom Kon was a fan[14] included it in his list of the top fifty animated films.[15] Perfect Blue ranked #25 on Total Film's all-time animated films.[16] It also made the list for Entertainment Weekly's best movies never seen from 1991–2011.[17]

Influence

Madonna incorporated clips from the film into a remix of her song "What It Feels Like for a Girl" as a video interlude during her Drowned World Tour in 2001.[18][19]

In 2010 Darren Aronofsky acknowledged there being similarities between Perfect Blue and his film Requiem for a Dream as well as Black Swan.[20] A re-issued blog entry mentioned Aronofsky's film Requiem for a Dream as being among Kon's list of movies he viewed for that year.[21]

See also

Notes

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References

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Book references
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External links

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  6. ↑ Lua error in package.lua at line 80: module 'strict' not found. – closing credits
  7. ↑ 7.0 7.1 7.2 7.3 7.4 Lua error in package.lua at line 80: module 'strict' not found.
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  12. ↑ [1]
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  18. ↑ Clements & McCarthy 2012 – entry: Urotsukidoji
  19. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  20. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  21. ↑ Lua error in package.lua at line 80: module 'strict' not found.


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