Red Sails in the Sunset (album)
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Contents
Background
Midnight Oil released Red Sails in the Sunset in October 1984. It was recorded in June to August in Japan, and was produced by Nick Launay, who had worked on their breakthrough album, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982).[1][2] Columbia asked the band to return to the studio and record a more commercial single that could chart in America, but the band refused. Drummer Rob Hirst said that the band told Columbia to take it or leave it, and Columbia released the album as-is.[3] It peaked at No. 1 for four weeks on the Australian charts,[4] and charted on the Billboard 200.[5] Singles from the album were also released in the United States and United Kingdom but had no chart success.[1] Whilst the album showed an over-reliance on technical wizardry, their lyrical stance was positive.[1] The band continued to expand their sound and explore themes of politics, consumerism, militarism, the threat of nuclear war and environmental issues.[6]
The album cover by Japanese artist Tsunehisa Kimura featured a photomontage of Sydney – both city and harbour – cratered and devastated after a hypothetical nuclear attack.[7] Live concert footage of "Short Memory" was used in the Australian independent anti-nuclear war movie One Night Stand.[8] A promotional video for "Best of Both Worlds", later on Best of Both Worlds, received airplay worldwide on cable music TV station MTV.[9] In January 1985, Midnight Oil performed Oils on the Water, a concert on Goat Island in Port Jackson to celebrate Triple J's tenth birthday,[1] before a select audience of fans who had won tickets in a radio competition. The concert was filmed, simulcast on ABC-TV and Triple J, and released on video,[1] which was remastered for their 2004 Best of Both Worlds DVD.
Reception
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | (favourable)[11] |
Spin | (favourable)[12] |
AllMusic's William Ruhlmann found that group were "ambitiously taking on a variety of lyrical causes in a variety of musical styles" and the album's "martial rhythms, chanted vocals, and guitar textures, served as a jumping-off place".[10] However Garrett's vocals showed an "unrelentingly judgmental tone ... sung with dead seriousness ... tended to douse the album's potential enjoyment".[10] Rolling Stone's Don Shewey felt their music "combines the postpunk abrasiveness of the Clash and Gang of Four with the Kinks' music-hall variety and the pure pop of groups like Cheap Trick".[11] Shewey wrote that their "references to local politics and history that stud the group's songs and account in large part for its huge appeal down under may seem exotic or puzzling to Americans".[11] Bill Wolfe of Spin wrote, "Midnight Oil is not only the Australian band of the '80s, it may very well be the band of the '80s. Period."[12]
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "When the Generals Talk" | Garrett, Hirst, Moginie | 3:32 |
2. | "Best of Both Worlds" | Hirst, Moginie | 4:05 |
3. | "Sleep" | Garrett, Hirst, Moginie | 5:09 |
4. | "Minutes to Midnight" | Garrett, Moginie | 3:20 |
5. | "Jimmy Sharman's Boxers" | Hirst, Moginie | 7:10 |
6. | "Bakerman" | Hirst | 0:52 |
7. | "Who Can Stand in the Way" | Garrett, Moginie | 4:33 |
8. | "Kosciusko" | Hirst, Moginie | 4:47 |
9. | "Helps Me Helps You" | Hirst, Moginie | 3:44 |
10. | "Harrisburg" | Moginie, Denis Kevans | 3:46 |
11. | "Bells and Horns in the Back of Beyond" | Garrett, Gifford, Hirst, Moginie, Rotsey | 3:30 |
12. | "Shipyards of New Zealand" | Garrett, Moginie | 5:53 |
Chart positions
Year | Chart | Position |
---|---|---|
1984 | Australian Kent Music Report Albums Chart[4] | 1 |
1985 | United States Billboard 200[5] | 177 |
Certifications
Region | Certification | Sales/shipments |
---|---|---|
Australia (ARIA)[13] | 4× Platinum | 280,000 |
^shipments figures based on certification alone |
Personnel
Album is credited to:[14]
Midnight Oil
- Peter Garrett – lead vocals (except tracks 1, 8)
- Peter Gifford – bass guitar, backing vocals
- Rob Hirst – drums, percussion, backing vocals, lead vocals (tracks 1, 8)
- Jim Moginie – guitars, keyboards, arrangements (brass, string)
- Martin Rotsey – guitars
Additional musicians
- Charlie McMahon – didgeridoo (track 9)
- Kazufumi Ohhama – arrangements (brass, string)
Production work
- Producer – Nick Launay, Midnight Oil at Victor Aoyama Studio, Tokyo, Japan
- Live production – Michael Lippold
- Engineer – Gary Fox, Nick Launay
- Assistant Engineer – Yoshi Yuki Kaneko, Shigeo Miyamoto
- Mixing – Nick Launay at Victor Aoyama Studio, Tokyo, Japan
- Business consultant – Gary Morris
- Lighting – Ronnie James
- Office coordinator – Stephanie Lewis
- Tour Manager – Neil Thompson
Art work
- Yasutaka Kato – cover design, design, graphic design
- Tsunehisa Kimura – artwork, cover art
References
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External links
Preceded by | Australian Kent Music Report number-one album 5 November – 2 December 1984 |
Succeeded by Choose 1985 by Various artists |
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- Pages with reference errors
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