The Color Purple (film)

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The Color Purple
File:The Color Purple poster.jpg
Theatrical release poster by John Alvin
Directed by Steven Spielberg
Produced by Steven Spielberg
Kathleen Kennedy
Quincy Jones
Frank Marshall
Screenplay by Menno Meyjes
Based on The Color Purple
by Alice Walker
Starring <templatestyles src="Plainlist/styles.css"/>
Music by Quincy Jones
Cinematography Allen Daviau
Edited by Michael Kahn
Production
company
Distributed by Warner Bros. Pictures
Release dates
 <templatestyles src="Plainlist/styles.css"/>
  • December 18, 1985 (1985-12-18)
Running time
 154 minutes
Country United States
Language English
Budget $15 million
Box office $142 million

The Color Purple is a 1985 American period drama film directed by Steven Spielberg, based on the Pulitzer Prize-winning novel of the same name by Alice Walker. It was Spielberg's eighth film as a director, and was a change from the summer blockbusters for which he had become famous. The film was also the first feature-length film directed by Spielberg for which John Williams did not compose the music. The film starred Danny Glover, Desreta Jackson, Margaret Avery, Oprah Winfrey (in her film debut), Adolph Caesar, Rae Dawn Chong, and introduced Whoopi Goldberg as Celie Harris-Johnson.

Filmed in Anson and Union counties in North Carolina,[1] the film tells the story of a young African American girl named Celie Harris and shows the problems African American women faced during the early 1900s, including poverty, racism, and sexism. Celie is transformed as she finds her self-worth through the help of two strong female companions.[2]

Plot

Taking place in the Southern United States between Winter 1909 and Autumn 1937, the movie tells the life of a poor African American woman named Celie Harris (Whoopi Goldberg) whose abuse begins when she is young. By the time she is fourteen, she has already had one child by her father Alphonso "James" Harris (Leonard Jackson) and is pregnant with another. He takes them away from her at childbirth and forces the young Celie (Desreta Jackson) to marry a wealthy young local widower Albert Johnson, known to her only as "Mister" (Danny Glover), who treats her like a slave. Albert makes her clean up his disorderly household and take care of his unruly children. Albert beats and rapes her often, intimidating Celie into submission and near silence. Celie's sister Nettie (Akosua Busia) comes to live with them, and there is a brief period of happiness as the sisters spend time together and Nettie begins to teach Celie how to read. This is short-lived; after Nettie refuses Albert's predatory affections once too often, he kicks her out. Before being run off by Albert, Nettie promises to write to Celie saying, "Nothing but death can keep me from her!".

Albert's old flame, jazz singer Shug Avery (Margaret Avery), for whom Albert has carried a torch for many years, comes to live with him and Celie. Delirious with sickness, Shug initially declares Celie as "ugly" on their first meeting. Despite this, they eventually become close friends and Shug helps Celie raise her self-confidence. Shug and Celie enter into a sexual relationship (more pronounced in the book, but only hinted at in the film).[3] Celie also finds strength in Sofia (Oprah Winfrey), who marries Albert's son Harpo (Willard E. Pugh). Sofia has suffered because of abuse from the men in her family, but unlike Celie, she refuses to tolerate it. This high-spiritedness proves to be her downfall, as a rude remark to the town mayor's wife and a retaliatory punch to the mayor himself ends with Sofia beaten and jailed.

Meanwhile, Nettie has been living with the couple who adopted Celie's two children, now missionaries in Africa, and writing frequently to Celie - however, Celie is unaware of the correspondence, as Albert has confiscated the letters, and forbidden Celie to touch the mailbox, telling Celie that she will never hear from her sister again. During a visit from Shug and her new husband Grady, Celie and Shug discover many years' worth of Nettie's correspondence. Reconnecting with her sister and the assurance that she is still alive helps give Celie the strength to stand up to Albert. At one point, after Albert strikes her, she prepares to slit his throat while shaving him, but is physically stopped by Shug.

During a subsequent family dinner, Sofia (having been released from jail earlier) is shown to be prematurely aged and permanently disfigured due to the severe beatings she received in jail, and demoralized into an almost catatonic state. At the dinner, Celie finally asserts herself, excoriating Albert and his father. Shug informs Albert that she and Grady are leaving, and that Celie is coming with them. Harpo's girlfriend Squeak (Rae Dawn Chong) declares she is going with them as well. Despite Albert's attempts to verbally abuse Celie into submission, she stands up to him by mentioning that he kept Nettie away from her because Nettie was the only one who really loved her. Seeing Celie stand up for herself, Sofia returns to her normal self, laughing hysterically at a dumbfounded and embarrassed Albert. She also warns Celie not to follow in her own footsteps as Celie holds a knife to Albert's throat. It is at this point Celie curses Albert saying, "Until you do right by me, everything you think about gonna fail". As Shug, Grady, Squeak, and Celie go quickly to the car, Albert readies to beat Celie, but she stands up on the sideboards of Grady's car and curses Albert by raising her hand in his face with a determined stare. Dumbfounded, Albert backs away and the car drives off.

In Tennessee, Celie opens a haberdashery, making and selling one-size-fits-all slacks for men and women. Upon the death of her father, she learns that he was, in fact, her stepfather, and that she has inherited her childhood home, the farm, and a shop from her real father. She opens her second slacks shop in town, naming it Miss Celie's Folks Pants, while Harpo and Sofia reconcile. While performing at the Jook Joint Shug hears the song "Gods Trying To Tell You Something" coming from her fathers church across the river. Followed by the patrons of the Jook Joint Shug singing along with the choir storms in the church and approaches her father who finally embraces her while the whole church rejoices.

Meanwhile, Albert is feeling the effects of Celie's words. His fields and home languish into almost nonexistence as he slips into alcohol-fueled idleness, spending most of his time at Harpo's Juke joint. At one point, his father is seen suggesting that he find a new wife, but Albert casually grabs his father by the arm and turns him off his property. Years of guilt finally catch up with Albert, with the knowledge that he has been a horrible person most of his life, especially to Celie. In a sudden act of kindness unknown to her, Albert takes all the money he has saved over the years, goes to the immigration office, and arranges for Nettie, her husband, and Celie's two children and daughter-in-law to come back to America from Africa. Celie's children, Adam and Olivia, are reunited with her at Celie's farm. Albert looks on from a distance, and Shug smiles at him because he finally did the right thing. Nettie and Celie play their childhood clapping game as the sun sets.

Cast

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Reception

Critical response

The Color Purple received positive reviews. Rotten Tomatoes gives the film a score of 88% based on reviews from 26 critics, with an average score of 6.9/10. The site's consensus is that the film is "a sentimental tale that reveals great emotional truths in American history."[4]

Roger Ebert of the Chicago Sun-Times awarded the film four stars, calling it "the year's best film." He also praised Whoopi Goldberg, calling her role "one of the most amazing debut performances in movie history" and predicting she would win the Academy Award for Best Actress. (She was nominated but did not win.) Ebert wrote of The Color Purple:

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The world of Celie and the others is created so forcibly in this movie that their corner of the South becomes one of those movie places — like Oz, like Tara, like Casablanca — that lay claim to their own geography in our imaginations. The affirmation at the end of the film is so joyous that this is one of the few movies in a long time that inspires tears of happiness, and earns them.[5]

Ebert's long-time television collaborator, Gene Siskel of the Chicago Tribune, praised the film as "triumphantly emotional and brave," calling it Spielberg's "successful attempt to enlarge his reputation as a director of youthful entertainments." Siskel wrote that The Color Purple was "a plea for respect for black women." Although acknowledging that the film was a period drama, he praised its "... incredibly strong stand against the way black men treat black women. Cruel is too kind a word to describe their behavior. The principal black men in The Color Purple use their women — both wives and daughters — as sexual chattel."[6]

New York Times film critic Janet Maslin noted the film's divergence from Walker's book, but made the case that this shift works:

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Mr. Spielberg has looked on the sunny side of Miss Walker's novel, fashioning a grand, multi-hanky entertainment that is as pretty and lavish as the book is plain. If the book is set in the harsh, impoverished atmosphere of rural Georgia, the movie unfolds in a cozy, comfortable, flower-filled wonderland. ... Some parts of it are rapturous and stirring, others hugely improbable, and the film moves unpredictably from one mode to another. From another director, this might be fatally confusing, but Mr. Spielberg's showmanship is still with him. Although the combination of his sensibilities and Miss Walker's amounts to a colossal mismatch, Mr. Spielberg's Color Purple manages to have momentum, warmth and staying power all the same.[7]

Variety found the film over-sentimental, writing, "there are some great scenes and great performances in The Color Purple, but it is not a great film. Steven Spielberg's turn at 'serious' film-making is marred in more than one place by overblown production that threatens to drown in its own emotions."[8]

In addition, some critics alleged that the movie stereotyped black people in general[9] and black men in particular,[10] pointing to the fact that Spielberg, a white man, had directed a predominantly African American story.[11]

Filmmaker Oliver Stone defended The Color Purple as "an excellent movie, and it was an attempt to deal with an issue that had been overlooked, and it wouldn't have been done if it hadn't been Spielberg. And it's not like everyone says, that he ruined the book. That's horseshit. Nobody was going to do the book. He made the book live again."[12]

In 2004, Ebert included The Color Purple in his list of "Great Movies". He stated that "I can see its flaws more easily than when I named it the best film of 1985, but I can also understand why it moved me so deeply, and why the greatness of some films depends not on their perfection or logic, but on their heart."[13]

Box office

The Color Purple was a success at the box office, staying in U.S. theaters for 21 weeks,[14] and grossing over $142 million worldwide.[15] In terms of box office income, it ranked as the #1 rated PG-13 movie released in 1985, and #4 overall.[14]

Accolades

The Color Purple was nominated for 11 Academy Awards, including Best Picture, Best Actress for Goldberg and Best Supporting Actress for both Avery and Winfrey.[17] It failed to win any of them, tying the record set by 1977's The Turning Point for the most Oscar nominations without a single win.[10]

Academy Awards nominations

The Color Purple was nominated for four Golden Globes, including Best Picture (Drama), Best Director for Spielberg, and Best Supporting Actress for Winfrey. Its only win went to Goldberg for Best Actress (Drama).

Menno Meyjes was nominated for the BAFTA Award for Best Adapted Screenplay.

Spielberg received the Directors Guild of America Award for Best Motion Picture Director, his first.

The film was shown at the 1986 Cannes Film Festival as a non-competing title.[18]

Popular culture

  • Dialogue from the film was sampled in the 2012 mixtape Cosmic Angel: The Illuminati Prince/ss by Mykki Blanco.[19]
  • Whoopi Goldberg reprises her role of Celie Harris in the Robot Chicken episode "Choked on Multi-Colored Scarves." In a sketch that details Steven Spielberg's "Mother of All Remakes," a trailer depicts Celie Harris amongst the characters from the other Steven Spielberg movies helping the American soldiers fight the German soldiers. Her part in the sketch had her slashing the throats of three German soldiers and then shooting the others.

See also

References

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  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ 10.0 10.1 Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ Cooper, Marc. Oliver Stone interview from Playboy Magazine (1988), in Stone, Oliver and Silet, Charles L.P., editors. Oliver Stone—Interviews, University Press of Mississippi (2006), p. 87.
  13. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ 14.0 14.1 "The Color Purple," Box Office Mojo. Accessed Dec. 9, 2011.
  15. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  16. ↑ Lua error in package.lua at line 80: module 'strict' not found.
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  18. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  19. ↑ Lua error in package.lua at line 80: module 'strict' not found.

External links

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