Tribal art

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A Punu tribe mask. Gabon West Africa
Artwork in the Museum of Indian Terracotta, New Delhi, India.[1]
Congolese Nkisi Nkondi, a female power figure, with nails, collection BNK, Royal Tribal Art
A male Kifwebe mask. Songye tribe. D.R. Congo. Central Africa

Tribal art is the visual arts and material culture of indigenous peoples. Also known as ethnographic art, or, controversially, primitive art,[2] tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums. The term "primitive" is criticized as being Eurocentric and pejorative.[3]

Description

Tribal art is often ceremonial or religious in nature.[4] Typically originating in rural areas, tribal art refers to the subject and craftsmanship of artefacts from tribal cultures.

In museum collections, tribal art has three primary categories:

Collection of tribal arts has historically been inspired by the Western myth of the "noble savage", and lack of cultural context has been a challenge with the Western mainstream public's perception of tribal arts.[6] In the 19th century, non-western art was not seen by mainstream Western art professional as being as art at all.[3] The art world perception of tribal arts is becoming less paternalistic, as indigenous and non-indigenous advocates have struggled for more objective scholarship of tribal art. Before Post-Modernism emerged in the 1960s, art critics approached tribal arts from a purely formalist approach,[7] that is, responding only to the visual elements of the work and disregarding historical context, symbolism, or the artist's intention.

Influence on Modernism

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Major exhibitions of tribal arts in the late 19th through mid-20th centuries exposed the Western art world to non-Western art. Major exhibitions included the Museum of Modern Art's 1935 Africa Negro Art and 1941 Indian Art of the United States.[7] Exposure to tribal arts provide inspiration to many modern artists,[8] notably Expressionists,[7] Cubists, and Surrealists, notably Surrealist Max Ernst.[9] Cubist painter, Pablo Picasso stated that "primitive sculpture has never been surpassed."[3]

See also

Notes

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References

Further reading

  • Edmund Snow Carpenter, The Tribal Terror of Self-Awareness. In Paul Hockings (editor), Principles of Visual Anthropology, 1975, pages 451–461.
  • Dennis Dutton, Tribal Art and Artefact. Journal of Aesthetics and Art Criticism, 51(1):13–21, Winter 1993.
  • Dennis Dutton, Mythologies of Tribal Art. African Arts, 28(3):32–43, Summer 1995.
  • Herbert E. Roese, "African Wood Carvings - the sculptural art of West Africa", 2011, Cardiff ISBN 978-0-9560294-2-3

External links