Portal:Arts

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The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing artsmusic, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.

Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.

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A boy in front of Cloud Gate with his reflection in the curved metal surface
Cloud Gate, a public sculpture by Indian-born British artist Anish Kapoor, is the centerpiece of the AT&T Plaza in Millennium Park within the Loop community area of Chicago, Illinois. The sculpture and AT&T Plaza are located on top of Park Grill, between the Chase Promenade and McCormick Tribune Plaza & Ice Rink. Constructed between 2004 and 2006, the sculpture is nicknamed "The Bean" because of its legume-like shape. Made up of 168 stainless steel plates welded together, its highly polished exterior has no visible seams. It is 33 feet by 66 feet by 42 feet (10 m × 20 m × 13 m), and weighs 110 short tons (99.8 t; 98.2 long tons). Kapoor's design was inspired by liquid mercury and the sculpture's surface reflects and distorts the city's skyline. Visitors are able to walk around and under Cloud Gate's 12-foot (3.7 m) high arch. On the underside is the omphalos, a concave chamber that warps and multiplies reflections. The sculpture builds on many of Kapoor's artistic themes, and is popular with tourists as a photo-taking opportunity for its unique reflective properties.

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Join, or Die
Credit: Restoration: Adam Cuerden

"Join, or Die", a 1754 editorial cartoon by Benjamin Franklin, a woodcut showing a snake severed into eight pieces, with each segment labeled with the initials of a British American colony or region (not all colonies are represented). It was originally about the importance of colonial unity against France during the French and Indian War, and re-used in the years ahead of the American Revolution to signify unity against Great Britain.

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André Kertész
André Kertész (1894–1985) was a Hungarian-born photographer distinguished by his photographic composition and by his early efforts in developing the photo essay. In the early years of his lengthy career, his then-unorthodox camera angles, and his unwillingness to compromise his personal photographic style, prevented his work from gaining wider recognition. Even towards the end of his life, Kertész did not feel he had gained worldwide recognition. The first photographer to have an exposition devoted to his work, he is recognized as one of the seminal figures of photojournalism, if not photography as a whole. Dedicated by his family to work as a stock broker, Kertész was an autodidact and his early work was mostly published in magazines. The imminent threat of WWII pushed him to immigrate to the United States, where he had a more difficult life and needed to rebuild his reputation through commissioned work. He would take offense with several editors that he felt did not recognize his work. In the 1940s and '50s he stopped working for magazines and began to achieve greater international success. Despite the numerous awards he collected over the years, he still felt unrecognized, a sentiment which did not change even at the time of his death. His career is generally divided into four periods – the Hungarian period, the French period, the American period and, towards the end of his life, the International period.

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Arts categories
Arts

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WikiProjects
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Robert Redford
Robert Redford, 1997

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Arts on Wikibooks  Arts on Wikimedia Commons Arts on Wikinews  Arts on Wikiquote  Arts on Wikisource  Arts on Wikiversity  Arts on Wiktionary 
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